Photo Credit: Jessica Osber.
See more of Jessica's work at www.osberphotos.com/
"Thomas J. Capobianco as Clarence Elkins gave an impressive account of the demanding role."
Cincinnati Opera's Blind Injustice
Joe Law
Opera News
August 2019
"Thomas Capobianco as Don Basilio was properly pompous."
Cincinnati Opera's Le Nozze di Figaro
Janelle Gelfand
Cincinnati Business Courier
June 2019
"Thomas J. Capobianco's stuttering Blind complemented matters expertly."
Des Moines Metro Opera's Die Fledermaus
Mark Thomas Ketterson
Opera News
July 2018
"Other outstanding portrayals included Thomas J. Capobianco as Beppe, who plays the Harlequin."
New Orleans Opera's Pagliacci
Dean M. Shapiro
The New Orleans Advocate
October 2017
"... These two characters, performed by Tara Morrow and Thomas Capobianco respectively, were some of the best on stage. The lovers prompted full laughter from the audience, chasing each other around the stage ... as a beautiful duet."
CCM Opera Theater's The Merry Widow
Dulcinea Riley.
The News Record
November 2015
"... And the real Bruschino (the hilarious Thomas J. Capobianco doubling as a commissario with an addiction for sweets) whose arrival at the very end sets the musical wheels of the finale in motion."
CCM Opera Theater's Il Signor Bruschino
Rafael de Acha.
Seen & Heard International
February 2016
Cincinnati Opera's Blind Injustice
Joe Law
Opera News
August 2019
"Thomas Capobianco as Don Basilio was properly pompous."
Cincinnati Opera's Le Nozze di Figaro
Janelle Gelfand
Cincinnati Business Courier
June 2019
"Thomas J. Capobianco's stuttering Blind complemented matters expertly."
Des Moines Metro Opera's Die Fledermaus
Mark Thomas Ketterson
Opera News
July 2018
"Other outstanding portrayals included Thomas J. Capobianco as Beppe, who plays the Harlequin."
New Orleans Opera's Pagliacci
Dean M. Shapiro
The New Orleans Advocate
October 2017
"... These two characters, performed by Tara Morrow and Thomas Capobianco respectively, were some of the best on stage. The lovers prompted full laughter from the audience, chasing each other around the stage ... as a beautiful duet."
CCM Opera Theater's The Merry Widow
Dulcinea Riley.
The News Record
November 2015
"... And the real Bruschino (the hilarious Thomas J. Capobianco doubling as a commissario with an addiction for sweets) whose arrival at the very end sets the musical wheels of the finale in motion."
CCM Opera Theater's Il Signor Bruschino
Rafael de Acha.
Seen & Heard International
February 2016
